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Editorial

»» Museum in Senegal is a missed opportunity

Monitor

»» Germany-based masterminds of Congolese war crimes

»» Researches focus on decent work

»» Dangerous security forces in African countries

»» German NGOs criticise militarised Afghanistan policy

Focus

»» The lasting legacy of Ken Saro-Wiwa in Nigeria

»» Femrite gives women writers a voice in Unganda

»» The significance of India’s authors of international bestsellers

»» Pop star Farhad Darya on the power of music in Afghanistan

»» The merits of cultural entrepreneurship in Africa

»» The Art in Africa Foundation, a joint venture of UNESCO and Goethe Institut

Tribune

»» Bali’s microfinance institutions are weathering global storms

»» Germany’s new development minister discusses policy in an interview

»» Biodiversity is a cross-cutting challenge for development agencies

InWEnt Forum

»» 60th anniversary of Carl Duisberg Gesellschaft – legacy is thriving at InWEnt

»» InWEnt alumni assess African opportunities in global crises

Debate

»» Delicately balanced power in Keny’s awkward coalition

»» Four crucial contradictions in Obama’s Guantanamo policy

»» Copenhagen climate conference

Background

Rapper Smockey

The roles of creative artists

Artists tend to be irritating. Not only are many of them ambitious and vain; they also point out shortcomings and problems. If they hit the nerve of their time, however, they shape people’s view of the world.

Development & Cooperation

Current issue

No. 01 2010, Volume 51, January 2010

GIZ - Deutsche Gesellschaft für Internationale Zusammenarbeit